Neema Children’s Choir
The members of the Neema Children’s Choir are orphaned and destitute children aged 8 to 17 who are being raised by Pastor Francis Daniel Mutibwa and his wife Winnie Tumu of Kingdom Child Project, a registered charity in Uganda that runs a school and orphanage near Kampala.
Neuza
Although Neuza covers many of the haunting mornas identified with Cesaria Evora, her specialty are the soaring sounds of talaia baxo and rabolo, which are native to the volcanic island of Fogo where her family originated. She also has recorded curcutiçans, the fierce & witty lyrical battles between men and women.
Lindigo
Lindigo’s mission is to celebrate a maloya that is free and forward-looking, and builds on the musicians’ proud heritage. Exploring mixed Malagasy, African and Indian roots, they incorporate into their high-octane performances traditional instruments like the West African balafon and Madagascan kabosy as well as influences from their travels in Morocco and Brazil.
Neuza
Although Neuza covers many of the haunting mornas identified with Cesaria Evora, her specialty are the soaring sounds of talaia baxo and rabolo, which are native to the volcanic island of Fogo where her family originated. She also has recorded curcutiçans, the fierce & witty lyrical battles between men and women.
Neema Children’s Choir
The members of the Neema Children’s Choir are orphaned and destitute children aged 8 to 17 who are being raised by Pastor Francis Daniel Mutibwa and his wife Winnie Tumu of Kingdom Child Project, a registered charity in Uganda that runs a school and orphanage near Kampala.
Neema Children’s Choir
The members of the Neema Children’s Choir are orphaned and destitute children aged 8 to 17 who are being raised by Pastor Francis Daniel Mutibwa and his wife Winnie Tumu of Kingdom Child Project, a registered charity in Uganda that runs a school and orphanage near Kampala.
Lindigo
Lindigo’s mission is to celebrate a maloya that is free and forward-looking, and builds on the musicians’ proud heritage. Exploring mixed Malagasy, African and Indian roots, they incorporate into their high-octane performances traditional instruments like the West African balafon and Madagascan kabosy as well as influences from their travels in Morocco and Brazil.
Neuza
Although Neuza covers many of the haunting mornas identified with Cesaria Evora, her specialty are the soaring sounds of talaia baxo and rabolo, which are native to the volcanic island of Fogo where her family originated. She also has recorded curcutiçans, the fierce & witty lyrical battles between men and women.
